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Making American Folk Art Dolls Reference Book

Making American Folk Art Dolls Reference Book

- $12.00 1h 33m
B-0853: Highly Important Furniture From the Collection of Dr. C. Ray Franklin

B-0853: Highly Important Furniture From the Collection of Dr. C. Ray Franklin

- $25.00 1h 51m
B-0855: Jacques Garcia Collection; Important French Furniture etc Sotheby's

B-0855: Jacques Garcia Collection; Important French Furniture etc Sotheby's

- $70.00 1h 58m
CHRISTIE'S COLLECTIBLES 1987 AUCTION CATALOG NEW YORK

CHRISTIE'S COLLECTIBLES 1987 AUCTION CATALOG NEW YORK

- $16.74 1h 59m
B-0857: French and Company: Magnificent French & English Furniture - Christie's

B-0857: French and Company: Magnificent French & English Furniture - Christie's

- $60.00 2h 2m
B-0859: Works of Art from Collections of The Cholmondeley Family - Christie's

B-0859: Works of Art from Collections of The Cholmondeley Family - Christie's

- $100.00 2h 4m
B-0860: The Collection of John T. Dorrance,  Jr.,  Sotheby's

B-0860: The Collection of John T. Dorrance, Jr., Sotheby's

- $50.00 2h 7m
B-0861: Property from a Private Collection,  Sotheby's

B-0861: Property from a Private Collection, Sotheby's

- $35.00 2h 9m
B-0862: The Collection of the Late Count and Countess Guy du Boisrouvray

B-0862: The Collection of the Late Count and Countess Guy du Boisrouvray

- $25.00 2h 11m
Sotheby's  Gianni Versace paintings,  furniture and works London 3-18-2009

Sotheby's Gianni Versace paintings, furniture and works London 3-18-2009

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$149.99
$189.99
2h 17m
Sotheby's Victorian Edwardian Art Masterpieces Dec 2010

Sotheby's Victorian Edwardian Art Masterpieces Dec 2010

- $29.99 2h 51m
SOTHEBY'S AMERICAN PAINTINGS. DRAWINGS & SCULPTURE PART II 1992

SOTHEBY'S AMERICAN PAINTINGS. DRAWINGS & SCULPTURE PART II 1992

- $12.00 3h 5m
SOTHEBY'S IIMPORTANT ENGLISH FURNITURE,  EUROPEAN CERAMICS & DECORATIONS 1998

SOTHEBY'S IIMPORTANT ENGLISH FURNITURE, EUROPEAN CERAMICS & DECORATIONS 1998

- $9.00 3h 5m
SOTHEBY'S AMERICAN PAINTINGS FROM A SOUTHWESTERN COLLECTION 1994

SOTHEBY'S AMERICAN PAINTINGS FROM A SOUTHWESTERN COLLECTION 1994

- $12.00 3h 5m

News

  • Paperback History
    Inexpensive books bound in paper have existed since at least the 19th century and exist in a number of formats that have specific names, such as pamphlets, cheap editions, yellowbacks, dime novels and railway novels. Today most paperbacks are called either "mass-market paperback" or "trade paperback", the differences of which are described later.

     

    The 20th century mass-market paperback format was pioneered by German publisher Albatross Books in 1931 but the experiment was cut short. In England Penguin Books adopted many of Albatrosss innovations, for instance the conspicuous logo and the color coded covers for different genres, beginning in 1935,and was an immediate financial success. British publisher Allen Lane launched the Penguin imprint in 1935, with 10 reprint titles; this started the paperback revolution in the English-language book market. Number one on the Penguin list of 1935 editions was André Mauroiss Ariel.

     

    Allen Lane intended to produce cheap books. He bought paperback rights from publishers, ordered huge print runs (e.g., 20,000 copies) to keep unit prices low, and looked to non-traditional book selling retail locations. Booksellers were initially reluctant to buy his books. But Woolworths, placed a large order on the books, and the books sold extremely well. After this initial success, booksellers were no longer reluctant to stock paperbacks. The word Penguin became closely associated with the word paperback.

     

    Robert de Graaf, in 1939, issued a similar line in the USA, partnering with Simon & Schuster to found the Pocket Books imprint. The term pocket book became synonymous with paperback in English-speaking North America. In Québec, the term "ivre de poche was used, and continues to be used today. De Graaf, like Lane, negotiated paperback rights from other publishers, and produced large print runs. His practices contrasted with those of Lane in his adoption of illustrated covers, aimed at the North American market. In order to reach an even larger market than Lane had, he went the mass market route, through distribution networks of newspapers and magazines, which had a lengthy history of being aimed (in format and distribution) at mass audiences. This was the beginning of mass market paperbacks.

     

    Because of its position as Number One in what became a very long list of Pocket editions, James Hiltons Lost Horizon is often cited as the first American paperback book, which is not correct. The first mass-market, pocket-sized, paperback book printed in America was an edition of Pearl Bucks The Good Earth, produced by Pocket Books as a proof-of-concept in late 1938, sold in New York City, and now very collectible.